ISSN 27905780
前期出版
前期出版
頁數:﹣ 明日工藝之心境 The New Realm of Future Craft
研究論文
作者(中)
江怡瑩、林伯賢、林榮泰
作者(英)
Chiang I-Ying , Lin Po-Hsien , Lin Rungtai
關鍵詞(中)
當代工藝、智慧工藝、文化創意、跨域、共創
關鍵詞(英)
Contemporary craft, Intelligent craft, Cultural creativity, Cross-domain, Co-creation
中文摘要
工具起源於人類對於生活品質的改良需求,工藝衍生自人類對於生命美感的內在探索。回溯歷史的演進,工具物件與工藝精神皆在各自當下的時空脈絡中,成為人類面對世界與自我的最佳媒介與解決之道。過往的前端科技(工具、技術)隨著人類生活的文明演進,在不同的文化範疇中轉換、積累了豐碩的生命記憶(工藝、文化);時至今日,人們對於工藝的解讀與定義,除了傳承的情感意義,也產生了跨域的創新期待。本研究首先藉由探討當代工藝的文化範疇,而延展其游離特質的混融魅力;進而分析工藝案例的今日樣態,以拓寬共創加值的跨域疆界;最終提醒明日工藝的可能趨勢,以回應未來生活的感質需求。「以人為本」的信念及「師法自然」的原則,讓工藝作品總是具有「雋永經典」的不滅價值。本研究結果歸納出四項臺灣工藝在未來發展的重要觀點:(一)明察後工藝的混融與解放,(二)持續文化轉譯與人性觀照,(三)善用設計科技的共創協作,(四)邁向感質體驗的未來生活。本研究期盼從珍貴傳統的思古幽情出發,善用智慧工藝的共創詮釋,祈使文化典範再現風華。
英文摘要
Crafts are derived from transformations and creations that people bring to their lives and living. Tools originate from people’s demand for quality improvement of life, while crafts are derived from their inner exploration of the aesthetics of life. A review of the evolution of history reveals that tools, objects, and craftsmanship have served as the best media and solutions for people to face the world and themselves in the spatiotemporal contexts of their respective presence. Previous front-end technologies (tools and techniques) have transformed and accumulated an abundance of life memories (crafts and cultures) across disparate cultural scopes along with the evolution of human civilization. At present, people’s interpretations and definitions of crafts have inherited affective significance and have generated expectations for cross-domain innovation. This study investigates the cultural scope of contemporary crafts to extend the charm of fusion and integration from their characteristic of freedom. Further, the study analyzes the current state of craft cases to broaden the cross-domain territories for added value co-creation. Finally, the study focuses on potential trends for future crafts in response to the qualia demand of future life. Created based on the “person-oriented” philosophy and the principle of “learning from nature,” craftworks invariably hold a “timeless, classic” value that never perishes. The study derives the following four essential viewpoints on the future development of Taiwanese crafts: (1) closely observing craft integration and liberation in the post-craft era; (2) continuing to practice cultural translation and humanity observation; (3) making good use of co-creation and collaboration in Dechnology; and (4) striving toward a future life of qualia experiences. Starting from a retrospective review of precious traditions, the study seeks to reproduce the splendor of cultural paradigms by effectively using the co-creation and interpretation of intelligent craftsmanship.
2021/ 12
No.創刊特別號
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